Denys Baptiste Quartet…. Christmas Friday Tonic

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Friday 23 December   Clore Ballroom, Royal Festival Hall, Belvedere Road, SE1 8XX
5.30pm - 7.00pm  Free Admission

Denys Baptiste, Andrew McCormack, Gary Crosby and Rod Youngs play a Christmas Friday Tonic at the Southbank with special guest Juliet Roberts, ending a wonderful 12 months of jazz in the best possible way....we'll see you there! 

Photo: Ben Amure

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Vote Denys Baptiste for a MOBO Award!

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We're delighted that Denys Baptiste has been nominated for a MOBO Award in the Best Jazz Act category, a prize he first won in 1999 after the release of his debut album Be Where You Are. But for Denys to win again this year we need your help. All you have to do is register on the MOBO website and cast your vote. The winner will be announced on October 5 at the MOBO Awards ceremony in Glasgow.

And as they say....don't delay - vote today! 
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Denys Baptiste Quartet... Autumn Dates

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Friday 23 September  Darwin Suite, Market Place, Derby, DE1
Friday 30 September  Millennium Hall, Polish Centre, Ecclesall Rd, Sheffield S11 8PY
Friday 12 November   Clore Ballroom, Royal Festival Hall, Belvedere Road, SE1 8XX
Friday 25 November   Wakefield Jazz Club, Eastmoor Road, Wakefield WF1 3RR
Friday 23 December   Clore Ballroom, Royal Festival Hall, Belvedere Road, SE1 8XX

The Denys Baptiste Quartet take to the road for more dates in support of their recent release Identity By Subtraction. Alongside Denys are his trusty cohorts Gary Crosby - double bass, Rod Youngs - drums and pianist Andrew McCormack.

Tickets and venue information for DerbySheffield and Wakefield here.

12 November Clore Ballroom 20 min set for BBC Radio Jazz Line-Up from 4.00 - 5.30pm.
23 December Clore Ballroom performance is a special Friday Tonic starting at 5.30pm.

Photo: Howard Denner
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From Blue Seas, City Sounds

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Identity by Subtraction - Denys Baptiste
by Chris Searle

I've often thought that the emphatic and unifying cry of the Grenadian revolutionary Maurice Bishop, One Caribbean!, had enormous salience to jazz. What a vibrant, groovy and hugely powerful intergenerational big band of jazz musicians of Caribbean provenance could be formed, if only in the imagination, from Jamaica. Born horn men like trumpeter Dizzy Reece, altoists Joe Harriott and Bertie King, Ellington's great trombonist of muted glory Joe "Tricky Sam" Nanton and piantists Wynton kelly and Monty Alexander. And from the eastern Caribbean too, two bristling trumpeters - Vincentian Shake Keane and Barbadian Harry Beckett, or pianist Robert Mitchell, a Londoner with forebears from Grenada.

And the impassioned sound of the tenor saxophonist with St Lucian parents, Denys Baptiste, whose fourth album Identity By Abstraction is a telling statement indeed. Baptiste was born in Hounslow in 1959 and his father's record collection, which included albums by Basie and Mingus, propelled him towards jazz. He had his first saxophone lessons as a 14-year-old, while hearing the sounds of the west London Caribbean community all around him. He studied music for two years at the West London Institute before signing on for a course in jazz at the Guildhall School of Music. He played with his mentor Gary Crosby and his Nu Troop in the '90s before cutting his first album Be Where you Are in 1999, followed by Alternating Currents in 2001. In 2003 Let Freedom Ring commemorated the 40th anniversary of Martin Luther King's epochal Washington speech. It was a contender for Best Album and Best New Work in the BBC Jazz Awards.

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Gary Crosby & Denys Baptiste... Ealing Jazz Festival

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Friday 29 July  Walpole Park, Mattock Lane, Ealing W5
7.15pm  Entry: £4, children 12 and under free

Gary Crosby with the Denys Baptiste Quartet featuring drummer Rod Youngs and pianist Nick Ramm are performing on the Main Stage at this year's Ealing Jazz Festival with repertoire from Denys' recent album release Identity By Subtraction
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Denys Baptiste... Cheltenham Town Hall review by Derek Briggs

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Denys Baptiste arrived complete with a tenor-sax and a mind full of reminiscences. Which was fine and fitting. On reaching the life-questioning age of 40 he planned the album: Identity by Subtraction. The title is for philosophers to ponder, but the tracks are a musical assessment of what makes Baptiste: Baptiste. Far too likeable to be pretentiousness, he pondered the influence of saxophonists like John Coltrane and Mike Brecker, the impact of all the types of music he’s played to earn a living, the people he’s met along the way, and his life support system – his family.

As he roared through the title-track chord changes, with bassist Gary Crosby rock steady, and drummer Rod Youngs dropping bombs of encouragement, it was clear that the years have certainly advanced his considerable playing. 

Denys’ musical relationship with pianist Andrew McCormack is thing of joy and telepathy. On Harriot’s Charriot - dedicated to saxist Joe Harriot, their swopping of long inter-related choruses was a delight. The pianist brought a dreamlike, impressionistic air to Special Times – the family dedication. It evolved through agitation into life-affirming emotion, seeming to say that happiness comes through effort. It also came with Dance of the Marquiritari, inspired by a family member who belonged to that South American tribe. 

Whatever, with the under-recorded band firing over a dynamic rumba beat, it was very apparent that another recording studio date, can’t come too soon.

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Denys Baptiste Quartet... Cheltenham Jazz Festival review by Chris Parker for LondonJazz

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If Tord Gustavsen provided a telling contrast to Chris Potter, fellow saxophonist Denys Baptiste could be said to be, in many respects, the American's polar opposite: warmth and engagement are his watchwords, his music avowedly an expression of his feelings about life experiences such as fatherhood (the touching 'Special Times'), his musical inspirations (Joe Harriott, Bheki Mseleku) and his involvement over the years with an extraordinary variety of musical forms, from reggae (celebrated with a piece of the music in six, just to keep us on our jazz toes) to funk and improvised music.

Indeed, his set was taken from a new album entitled Identity by Subtraction, thus emphasising the intensely personal nature of his music, and with longtime associate Gary Crosby providing rock-steady but suitably propulsive bass, the dazzling Andrew McCormack tearing into everything set in front of him as if he feared he might never get a chance to play piano again, and drummer Rod Youngs both versatile and rousing, this was a highly enjoyable set, not least for the chance it provided of listening to a cultured but emotive tenor player making a series of utterly individual statements.

Chris Parker - May 7 2011. 
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